May 8, 2017


The Effects Of Music On The Brain 

Reprinted from Karaoke Version:
Even if we listen to music in a passive state and largely as a means to relax or let go, music is anything but. Whether you use it when you exercise or during a power nap, your brain, when in contact with music is, working at full!
Even before science began to pay close attention to the effect of music on the brain, the thinkers of the time had already traced a close link between the two. "Music is noise that thinks," wrote Victor Hugo, while Immanuel Kant observed that "music is the language of emotions." Thought and language: two capacities related specifically to the brain that intellectuals attributed to music, giving it power far beyond a mere means of distraction.
Since the 1950s, many studies have focused on identifying the action of music on the brain.

Music and Work

Not everyone has the same needs when it comes to music and work. Some prefer silence despite scientific proof that music helps to focus and improve efficiency and creativity.
In 1994, the Journal of the American Medical Association reported a spectacular difference in performance of stressful operations between surgeons operating with their music of choice versus those that operated in silence.
A small distinction should be noted however. In general, instrumental music has been shown to be more conducive to concentration than alternative forms. Lyrics and singing may cause distraction even if it is in an unconscious manner. That being said, the type of work being done and the monotony of the task will affect this.

The Mozart effect

Listen to music and your body, in particularly your brain, will say thank you. With slower music, it can improve circulation and dramatically reduce blood pressure.
How? In 2004 a study by Japanese neuroscientists Den'etsu Sutoo and Kayo Akimaya made things more evident by observing the behaviors of a group of rats listening to Divertimento No. 7 in D Major by Mozart. According to their studies, the stimulus (music) generates a supply of calcium to the brain that produces dopamine, inhibiting the sympathetic nervous system and reducing blood pressure. This also explains why music acts as a defense against anxiety, depression and stress.
The link between music and dopamine production opens a world of possibilities, in particularly for diseases that are linked to this hormone and even arterial diseases such as Parkinson’s, epilepsy or even Alzheimer’s. Regarding the latter, a study at the University of Oregon highlighted the impact of repeated listening to music in Alzheimer's patients: their speech and conversation became more fluid and rich when music was repeatedly played.

Music makes us better

Beyond the biological benefits of music, it is now proven that it even has impact on our relationship with others.
Research by Goldsmiths, University of London, in 2009 revealed that our perception of the emotions of our surroundings are influenced by the music we listen to. For example, if one is subjected to a happy music, the people who surround us will seem happier.
Even more surprising is the experience of psychologists Rona Fried and Leonard Berkowitz of the University of New York: they subjected a group of students to listen to calm music, another to stimulating music a third group to music producing negative emotions and lastly one with no music at all. The students were then asked to render a service. Students submitted to the calming music were more likely to help (90%), followed by those in the third group and those who did not listen to music (60%) and in last, the group subjected to more negative music (45%).
Moral of the story: listen, sing, play! It's good for the body and for the soul.

JAMBOX Entertainment Studios is a Top  Recording Studio Facility in Chelsea Manhattan 

 we can be reached at 212 979-8324

jamboxstudio.com




May 3, 2017

 
To our thousands of friends and happy clients that has kept us going all these years...We just want to say Thank you.
With the closing of so many great studios in the NYC area, we've seen a big change in the city's music culture.
We are still striving daily to be your favorite place to record music.

Yours In Music
​Lee Evans

CEO



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April 23, 2017

Herbie Hancock - Don't give up (feat. P!nk and John Legend) In Studio live performance

I'm happy to share with you another piece of truly inspired music:
Herbie Hancock - Don't give up (feat. P!nk and John Legend)

Emotionally charged song with powerful performances by John Legend, Pink
and of course, Herbie's playing is phenomenal.
Jeff Beck on Guitar
Tal Wilkenfield on bass
Vinnie Colauita on drums

From the Imagination Project album by Herbie Hancock

I was so inspired by this song, I included the Peter Gabriel / Kate Bush version below which is also great. Which do you prefer?
https://youtu.be/VjEq-r2agqc 

Lee Evans


Lee Evans
CEO
JAMBOX Entertainment Studios
Chelsea NYC's Top Recording Studios




April 15, 2017

Here's how Spotify's deal with Universal Music will impact the streaming music industry

Spotify has signed a deal Universal Music Group that lets artists release new albums exclusively on the streaming service’s premium tier for two weeks, Reuters reports.
Only Spotify’s paid subscribers will have full access to albums during this time, though album singles will still be available for all listeners.
Further details about the deal, such as its fee structure or duration have not been disclosed. It’s likely that Spotify is getting a more favorable percentage on the music licensing fees charged by Universal. This would benefit Spotify’s path to profitability and an IPO. Spotify is still negotiating with the remaining two of the "big three" music labels, Sony Music and Warner Music Group. It may use this deal with Universal as a blueprint.
Despite the dearth of details around this deal, there are points of context to provide color:
  • Streaming is music’s biggest moneymaker. For the first time in 2016, streaming services such as Spotify, Pandora, and Apple Music made up the majority (51%) of music industry revenue in the US, the Recording Industry Association of America (RIAA) reported recently. Streaming revenue reached $3.9 billion last year, growing an astounding 68% year-over-year (YoY).
  • Universal is pushing for Spotify paywalls. One condition for this deal is that Spotify only give its paid users immediate and unrestricted access to new albums. This is a sensible strategy because subscriptions are lucrative — they more than doubled in 2016 to $2.5 billion, and now make up a third of total music revenue and two-thirds of revenue from streaming.
  • The deal makes a Spotify IPO more likely. Spotify’s costly licensing agreements with major labels are an obstacle to its IPO. The company pays out 55% of its revenue to record labels, with the biggest checks going to Universal, Sony, and Warner Music. It reportedly wanted to get this down to 50%. Last summer, Spotify accounted for 10% of these labels’ revenue.
  • Spotify wants an IPO as soon as possible. The company is under pressure to IPO sooner rather than later since its $1 billion debt financing round last March. These debts are tied to the timing of the IPO. They determined that investors can convert their stakes into shares at a 20% discount to the list price. However, this discount increases by 2.5% every six months.


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JAMBOX ENTERTAINMENT, 352 Seventh Ave. Suite 203, NYC, NY 10001-5012,
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April 11, 2017

Should you buy or lease that hip hop beat?

Should you buy or lease that hip hop beat?

jamboxstudio.com
If you have contacts you can shop a song to, buying exclusive rights to a hip hop beat might be a good idea. If you are just looking to get noticed, you should consider leasing that beat.
So you found a hip hop beat on SoundCloud or YouTube and wrote a killer hook to it and you’re certain you have a hit on your hands. The next step is getting in contact with the producer and obtaining the rights to the beat. At this point, due to the normal enthusiasm you feel after you’ve created something great, it can seem like an excellent idea to buy the exclusive rights to the beat – but there are a few things you should think about before diving in and making that purchase.

What is your goal for the song?

This might seem obvious, but I’ve run into many artists who don’t have a clear goal or realistic expectations when it comes to a potential song. Many simply answer that they think the song is going to “blow up” and “get them on” without a plan to get to that point. Now, if you’re savvy enough and have label contacts you can shop the song to, buying the exclusive rights might be a good idea for you and you can probably stop reading this and get to work. However, if you are like the majority of artists who are just looking to get noticed, you’re going to need a better plan than posting to ReverbNation and SoundCloud and hoping for the best. This brings us to the next big question:

What is your budget?

You need a plan if you want your song to enjoy any modicum of success, and that plan will most likely involve spending money. So, after setting your goals, you’ll need to develop a budget for the track. This should include considerations such as the beat (obviously), the recording session, the mixing and mastering of the track, any artwork needed, any video that will be shot, and any marketing and promotions that will be run for the song. Once you have your budget set, you can move on to the next step…

How much of your overall budget should you be spending on the beat?

Now that you know how much you can spend, you have to start divvying it up. Let’s say you have $1,000 to spend on the song and the exclusive rights to a beat cost $750. Can you confidently spread the rest of your budget across recording, artwork, marketing, etc.? Maybe. Is it a good idea? Absolutely not.
In order to garner the attention and buzz you’re hoping for, you should probably allocate at least half of your budget to marketing and promotion, and you obviously don’t want to skimp on recording, mixing, mastering or artwork. So that leaves you with about 30% of your budget or less. So unless you can increase your budget, you’ll have to be extremely smart with your money, which means purchasing exclusive rights to a beat is probably not the best use of your money. What you should do instead is look into leasing a beat.

Why lease a beat instead of buying it?

First off, if you didn’t know, yes, there is such thing as leasing a beat, and it’s a prevalent practice in the independent hip hop scene as it benefits both the rappers and producers involved. A typical lease price for a beat can be anywhere from $15 to $35 in most cases, so you’ll immediately save money that can be better used elsewhere. Most lease agreements allow you to sell up to 2,000 copies before renewal, meaning you can still sell the track to recoup your money while taking a smaller financial risk up front. Also, if the song does blow up, you always have the option to buy exclusive rights to the beat at any time. So by leasing instead of purchasing, you put yourself in a low risk/high reward situation.

Will producers be pushing me to buy the exclusive rights?

They shouldn’t. From an independent producer’s standpoint, leasing out a beat is almost always in their best interest. While selling a beat for a couple hundred dollars is a nice payday up front, exclusive rights means they can no longer profit from that beat, for the most part. There’s the off chance they’ll gain royalties from the track if it blows up, but their earning potential for that beat is likely realized if they opt to sell it exclusively. If you run into a producer who is pressuring you to buy, you might want to find someone else.

Is leasing the way to go?

In most cases, yes. It is easier on your wallet and it is more beneficial to the producer. There are certain scenarios where purchasing exclusive rights would make sense, but those are very rare and chances are if you’re an independent rapper, leasing a hip hop beat is the better avenue for you.

The BeatLandLorde is an independent producer who works at a desk by day and makes scorching hot beats by night.

JAMBOX Entertainment NYC is a Recording Studio and music services company located in Chelsea NYC  212 979-8324


April 2, 2017

Manley VoxBox, Sweetwater Sounds Top 8 Mic Pres


Manley VoxBox,  Sweetwater Sounds Top 8 Mic Pres

The Manley VoxBox is the must-have preamp for lots of engineers. With its beautiful preamp section combined with a limiter, de-esser, and EQ all in a hefty masterpiece of engineering, it’s a great solution for anyone looking for fabulous sound in an all-in-one box. Built with Manley’s excellent US-made craftsmanship, meticulous design, and attention to detail, this unit is a delight to behold and to record through. I’ve enjoyed it every time I’ve had the pleasure of working with one.
Manley VoxBox 

JAMBOX Studio A has been enjoying their Manley VoxBox since it's release in the early 2000s
Book a session in our Studio @ and hear the magnificent combo of Neumann and Manley on your vocals! Also see our most sought after Manley Classics!
212 979-8324





March 28, 2017

Herbie Hancock's "Imagine", featuring Pink, Seal, India.Arie

Hello Music Lovers,

Herbie Hancock has long been one of my biggest music inspirations since my music beginnings. He's gone from being an influential player with Miles to being one of the most successful jazz artists in the pop music arena...ever!! Herbie was always great at combining totally different styles and influences together to make a special and unique musical moment in time come about. No one can do it like he does.

So, on behalf of great music and our top music recording studios, I'd like to share some of my fave collab videos with Herbie Hancock and today's most talented artists that I've found on YouTube. Enjoy!


My 1st video: Herbie Hancock's rendition and realization of John Lennon's classic "Imagine", featuring Pink, Seal, India.Arie.



Lee Evans

CEO JAMBOX Entertainment Studios






March 17, 2017

Mastering Tips from JAMBOX Studio's Head Mastering Engineer


JAMBOX' Guide To
Audio Mastering Preparation


Mastering Preparation Tips


Hi, this is Lee Evans, head Mastering Engineer at JAMBOX Entertainment Studios. We get many songs delivered to us for mastering at any given time. A good mastering job is essential for your music to compete in today's Hi-Resolution Audio market. A good master is far from just making your music louder.  Mastering can easily make or break a potentially good song. 
I'd like to share some prep tips to help deliver your final mix with proper formatting, in order to get the best possible master.

Prep tips:
First of all, spend the necessary time to get the mix right. A good solid mix will produce a great master. Remember, mastering will bring out the best in your song, but it can also make the problems more obvious. Try to make your mix as distortion free as possible. Ask the Mastering Engineer if you can send your sample of the song for his 'quality approval.'

• Do not make your final mix levels too loud. Mastering Engineers need the extra 'headroom' to work their magic.  -4-to -10 dbfs will work in most cases and keep you in the 'safe zone'.

• Do not 'Pre-Master' or attempt anything global to your mix that should be left for the Mastering Engineer. This does not help your project - it does the opposite.

• Do NOT put any processor or plug-in (i.e. compressor/limiter) across the master mix bus.


What audio formats are acceptable?
• Try not to master mp3, mp4, or aac formats; these are compressed audio files that are lower in quality. You want to deliver your master formatted to offer the best quality.

• We advise using 24 bit 44.1K  Wav  or AIFF files. BWF and SD2 are also acceptable. Mastering engineers can work with final mix audio copies from CD's however, these are 16 bit by default. They're usable, but not the best format.

All mixes should be final ‘consolidated’ files, not a multi-track Logic or Pro Tools Session, and should all be interleaved (not separate left and right files).
Please note: when saving your files, please make sure they are saved with a file extension, i.e. "myhitsong.wav" or  "myhitsong.aiff" (the extension is .wav or .aiff)

More prep tips:
• Including a song reference of a CD that you like is always a great idea, and helps us to pinpoint what you want your finished master to sound like. Hi quality MP3 format will work fine for this.

• Discuss similar songs and their sound with your engineer to give him your direction, but at the end of the day, let the engineer do his magic. You should have a chance to make corrections later if needed.

Final Thoughts
Loudness: We understand the desire to rush and play your hot new final mix for people, and the desire to make it as loud as possible. Well...do your thing with that, but PLEASE ask your audio engineer to make a version of the mix with no master bus processing. (ie no compressors, limiters, EQs, etc inserted into the stereo mix signal path.) Once again, DO NOT max out the levels on this version. Give us about 6-10 db  of headroom for us to make your final master sound stellar. You can make another version to play for friends etc. until your final master is ready. You can also feel free to try your own hand at mastering on this copy.


I hope this helps you on your way to a great sounding final Master!

Please feel free to call with questions.

Lee Evans
Studio Director

A Division Of
JAMBOX ENTERTAINMENT STUDIOS
212.979.8324

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